| |
Music |
| |
-
MUSI 3070 - Introduction to Musical Ethnography
Exploration of non-western musical cultures through music-making, movement, listening, and case studies. Issues include how musical and social aesthetics are intertwined, and the connections between style, community, and identity (including issues of race, gender, class, and postcolonial power structures). Field research and ethnographic writing will be the focus of critical inquiry.
Credits: 3
|
| |
-
MUSI 3080 - American Music
Historical and/or ethnomusicological perspectives on folk, popular, and ‘art’ music in the Americas, with a particular emphasis on 19th-and 20th-century African-American traditions including spirituals, work songs, minstrelsy, blues, R&B, soul, and hip-hop. Prerequisite: Instructor permission.
Credits: 3
|
| |
-
MUSI 3090 - Performance in Africa
Explores music/dance performance in Africa through reading, hands-on workshops, discussion, and audio and video examples. The course covers both ‘traditional’ and ‘popular’ styles, through discussion and a performance lab. Prerequisite: Instructor permission.
Credits: 3.00 to 4.00
|
| |
-
MUSI 3120 - Jazz Studies
Introduction to jazz as an advanced field of study, with equal attention given to historical and theoretical approaches. Prerequisite: MUSI 3310 or comparable fluency in music notation, and instructor permission.
Credits: 3
|
| |
-
MUSI 3310 - Theory I
Studies the pitch and rhythmic aspects of several musical styles, including European art music, blues, African drumming, and popular music. Focuses on concepts and notation related to scales and modes, harmony, meter, form, counterpoint, and style. Prerequisite: Ability to read music, and familiarity with basic concepts of pitch intervals and scales..
Credits: 3
|
| |
-
MUSI 3320 - Theory II
Studies pitch and formal organization in European concert music of the 18th and 19th centuries. Includes four-part vocal writing, 18th-century style keyboard accompaniment, key relations, and form. Students compose numerous short passages of music and study significant compositions by period composers. Prerequisite: MUSI 3310 or instructor permission.
Credits: 3
|
| |
-
MUSI 3332 - Musicianship I
Lab course providing practical experience with many aspects of musical perception and performance, such as accurate vocal production of pitch, musical memory, identification of intervals and rhythmic patterns, and uses of notation in dictation and sight-singing. Students entering this sequence take a test to determine the appropriate level of their first course. Students enrolled in MUSI 3310, 3320 or 4331 have priority; course open to other students as space permits. Prerequisite: Instructor permission.
Credits: 2
|
| |
-
MUSI 3334 - Musicianship II
Lab course providing practical experience with many aspects of musical perception and performance, such as accurate vocal production of pitch, musical memory, identification of intervals and rhythmic patterns, and uses of notation in dictation and sight-singing. Students entering this sequence take a test to determine the appropriate level of their first course. Students enrolled in MUSI 3310, 3320 or 4331 have priority; course open to other students as space permits. Prerequisite: Instructor permission.
Credits: 2
|
| |
-
MUSI 3336 - Musicianship III
Lab course providing practical experience with many aspects of musical perception and performance, such as accurate vocal production of pitch, musical memory, identification of intervals and rhythmic patterns, and uses of notation in dictation and sight-singing. Students entering this sequence take a test to determine the appropriate level of their first course. Students enrolled in MUSI 3310, 3320 or 4331 have priority; course open to other students as space permits. Prerequisite: Instructor permission.
Credits: 2
|
| |
-
MUSI 3360 - Tonal Composition
Develops the craft of musical composition through polyphonic writing, canon and imitative counterpoint, and homophonic writing, emphasizing phrase structure and small forms. Compositions are performed and criticized in class, with the aim of making manifest and adding to ideas covered in MUSI 3310 (Theory I) through actual writing. This course is essential for those who will pursue creative writing in music.
Credits: 3
|
| |
-
MUSI 3370 - Songwriting
Develop aural, analytic and creative abilities through songwriting. Learn about rhythm, melodic design, harmonic progression, lyrics and song forms. Develop ear training, so that concepts you learn will be sonically meaningful. Examples considered from blues, folk, tin pan alley, musicals, R&B, rock and hip hop. Students must sign up for a required Lab section.
Credits: 3
|
| |
-
MUSI 3372 - Writing Rap
Course focuses on the craft of writing raps. No previous experience writing raps required. Students will listen to, attempt to deconstruct, and evaluate a broad range of rap music while learning the basics of composing lyrics. Along with writing raps, students will learn songwriting techniques and some theoretical approaches to composing larger works such as a ‘mixtape’ or ‘album’ through examinations of music, criticism, and literature.
Credits: 3
|
| |
-
MUSI 3374 - Composing Mixtapes
The craft of writing rap songs and the collection, selection, and integration of other media to collaborate toward the composition of a class mixtape. Experience writing raps or producing beats will be helpful, but it is not necessary to take this course. Students will listen to, attempt to deconstruct, create, and evaluate a broad range of music and literature while collaborating on the mixtape.
Credits: 3
|
| |
-
MUSI 3380 - Introduction to Composition
This class focuses on composition techniques in American and European concert music, including the music of various composers and the composition of new music.
Prerequisite: MUSI 3310. The course can be repeated for credit with approval of instructor.
Credits: 3
|
| |
-
MUSI 3390 - Introduction to Music and Computers
Students gain hands-on experience with synthesizers, music notation software, and the control of MIDI instruments via computer. Prerequisite: Instructor permission.
Credits: 3
|
| |
-
MUSI 3395 - Sonic Arts and Crafts
Studio course working with sound through experimental and critically engaged projects. Acoustics, basic electronics, digital fabrication, and audio programming through hands-on exercises, focusing on how different technologies frame how we listen, play, and think in sound. Readings and examples from physics, art, critical sound studies, and current diy production communities.
Credits: 3
|
| |
-
MUSI 3400 - Ecoacoustics
Ecoacoustics explores the intersection between ecology and music. It engages with natural systems of change and the unique sonic energy of places. Students learn recording and analysis techniques, and create their own ecoacoustic sound works as we study seminal works from the musical and artistic fields of acoustic ecology, sonology, soundscape composition, sonification, earthwork art, and deep listening.
Credits: 3
|
| |
-
MUSI 3410 - Orchestration I: Anatomy of the Orchestra
This course will examine the symphony orchestra in detail, covering the capabilities of every orchestral instrument, and study how they are combined by master composers. Students will create arrangements for string quartet, woodwind quintet, and full orchestra. The majority of these projects will receive readings by ensembles. Students may be asked to bring instruments to class for demonstration purposes.
Credits: 3
|
| |
-
MUSI 3570 - Music Cultures
Studies of various musical topics, with emphasis on relatons between music and cultural context. Taught at the major level.
Credits: 3
|
| |
-
MUSI 3630 - Gamelan
The course introduces students to the gamelan instruments, the techniques of performance, the gamelan’s performance practice, and it’s cultural role within Bali, greater Indonesia, and Southeast Asia. After learning technique and repertoire, students will be encouraged to create their own pieces for the ensemble. Class activity is enhanced through discussion of selected readings, video presentations, and opportunity for original projects.
Credits: 3
|
| |
-
MUSI 3993 - Independent Study
Prerequisite: Instructor permission.
Credits: 1.00 to 3.00
|
| |
-
MUSI 4060 - Women & Music
Studies women’s perspectives about music, and dominant perceptions of women’s participation in music. A global approach to exploring women’s roles as creators, performers, patrons, and consumers of popular and art music traditions.
Credits: 3
|
| |
-
MUSI 4065 - The “Black Voice”
This course focuses on critical analyses of and questions concerning the “Black Voice” as it pertains to hip-hop culture, particularly rap and related popular musics. Students will read, analyze, discuss a wide range of thinkers to explore many conceptions and definitions of “Blackness” while examining popular artists and the statements they make in and about their art.
Credits: 3
|
| |
-
MUSI 4331 - Theory III
Studies in 18th-, 19th-, and 20th-century techniques and styles through analysis and composition. Prerequisite: MUSI 3320 or instructor permission.
Credits: 3
|
| |
-
MUSI 4410 - Orchestration 2
Study of the evolving styles of orchestration, from the Classical era through the present-day. Close study of orchestral masterworks spanning these eras. Students will create short orchestrations emulating styles of specific composers.
Credits: 3
|
| |
-
MUSI 4505 - Vocal Music
Topics, announced in advance, selected from opera, oratorio, choral music, or song. Prerequisite: MUSI 3320 or the equivalent and instructor permission.
Credits: 3
|
| |
-
MUSI 4506 - Instrumental Music
Topics, announced in advance, are selected from the orchestral, chamber music or solo repertories. Prerequisite: MUSI 3320 or the equivalent and instructor permission.
Credits: 3
|
| |
-
MUSI 4507 - Composers
Study of the life and works of a composer (or school of composers); topic announced in advance. Prerequisite: MUSI 3320 or the equivalent and instructor permission.
Credits: 3
|
| |
-
MUSI 4508 - Topics in American Music
Topics, announced in advance, about folk, popular, jazz or art music traditions in American culture. Prerequisite: MUSI 3080 or instructor permission.
Credits: 3
|
| |
-
MUSI 4509 - Cultural and Historical Studies of Music
Selected topics, announced in advance, exploring the study of music within cultural and historical frameworks. Prerequisite: Instructor permission.
Credits: 3
|
| |
-
MUSI 4510 - Cultural and Historical Studies of Music
Selected topics, announced in advance, exploring the study of music within cultural and historical frameworks. Prerequisite: Instructor permission.
Credits: 3
|
| |
-
MUSI 4512 - Studies in Jazz Literature
Topics, announced in advance, exploring the world of jazz music. Prerequisite: MUSI 3120 or instructor permission.
Credits: 3
|
| |
-
MUSI 4519 - Critical Studies of Music
Selected topics, announced in advance, exploring the study of music within critical frameworks. Prerequisite: Instructor permission.
Credits: 3
|
| |
-
MUSI 4520 - Critical Studies of Music
Selected topics, announced in advance, exploring the study of music within critical frameworks. Prerequisite: Instructor permission.
Credits: 3
|
| |
-
MUSI 4523 - Issues in Ethnomusicology
An intensive experience with ethnomusicology and performance studies, this seminar explores musical ethnography (descriptive writing), experiential research, sociomusical processes, and other interdisciplinary approaches to musical performance. Addresses issues involving race, class, gender, and identity politics in light of particular topics and areas studies. Prerequisite: MUSI 3070 or instructor permission.
Credits: 3
|
| |
-
MUSI 4524 - Field Research and Ethnography of Performance
Addresses ideas about ethnography and performance. Students explore epistemological, ethical, and aesthetic issues as they relate to field research and push the envelope of ‘creative non-fiction’ in the ethnographic realm of their writing. Prerequisite: Instructor permission.
Credits: 3
|
| |
-
MUSI 4525 - Topics in Ethnomusicology
Addresses specific issues and cultural areas according to the interests of the students and instructor. Prerequisite: Instructor permission.
Credits: 3
|
| |
-
MUSI 4526 - Topics in Ethnomusicology
Addresses specific issues and cultural areas according to the interests of the students and instructor. Prerequisite: Instructor permission.
Credits: 3
|
| |
-
MUSI 4532 - Musical Analysis
Various approaches to musical analysis; readings from theoretical literature; and practical exercises in analysis of music from all periods. Prerequisite: MUSI 4331 or instructor permission.
Credits: 3
|
| |
-
MUSI 4533 - Advanced Musicianship
Includes advanced ear-training, sight-singing and keyboard harmony. Prerequisite: Passing score on the exit test for MUSI 3336.
Credits: 2
|
| |
-
MUSI 4534 - Tonal Counterpoint
Written and aural exercises based on analysis of the contrapuntal style of J.S. Bach and his successors. Prerequisite: MUSI 3320 or the equivalent.
Credits: 3
|
| |
-
MUSI 4535 - Interactive Media
The class is designed for composers, performers and all students interested in interactive technology for music, programming real-time computer music systems, and in music for multimedia. Emphasis is placed on gaining both technical and artistic understanding of the possibilities of real time music technology and multimedia. Prerequisite: MUSI 3390 or MUSI 4543 or MUSI 4547 or instructor permission.
Credits: 3
|
| |
-
MUSI 4540 - Computer Sound Generation and Spatial Processing
Studies in sound processing, digital synthesis and multichannel audio using RTCmix running under Linux. Students learn techniques of computer music through composition, analysis of representative works, and programming. Prerequisite: MUSI 3390 or instructor permission.
Credits: 3
|
| |
-
MUSI 4543 - Sound Studio
Studies in computer music studio techniques, sound synthesis using a variety of software packages based on the Macintosh platform, and the creation of original music using new technologies. Prerequisite: MUSI 3390 or instructor permission.
Credits: 3
|
| |
-
MUSI 4545 - Computer Applications in Music
Topics involving the composition, performance, and programming of interactive computer music systems. Prerequisite: Instructor permission or MUSI 3390.
Credits: 3
|
| |
-
MUSI 4547 - Materials of Contemporary Music
Topics in contemporary music that will focus on different areas in rotation. Each will involve focused readings, analysis of selected works, and the creation of original compositions that reflect the issues under discussion. Prerequisite: MUSI 3320 or instructor permission.
Credits: 3
|
| |
-
MUSI 4574 - Music in Performance
Studies how musical performances implicitly or explicitly enact and (re)negotiate their historical, cultural, and ideological circumstances through activities that focus on a range of musical cultures. Prerequisite: Previous musical experience, broadly defined.
Credits: 3
|
| |
-
MUSI 4581 - Composition I
Prerequisite: Instructor permission.
Credits: 3
|
| |
-
MUSI 4582 - Composition II
Prerequisite: Instructor permission.
Credits: 3
|
| |
-
MUSI 4600 - Performance with Computers
The course teaches a blended approach to performance, composition and computer programming through the context of a computer music ensemble. Students from various backgrounds work collaboratively in a technological ensemble context while building skills in interactive media programming, sound art design and human-computer interaction. They explore a new way of making ensemble music in collaboration with interactive and networked computer systems.
Credits: 4
|
| |
-
MUSI 4610 - Sound Synthesis and Control
This course will cover the basic skills needed for building new musical interfaces. The first skill, and the primary topic of this course is Sound Synthesis. We will learn about the most common ways for digitally generating (synthesizing) musical sounds. This includes various concepts from musical acoustics and psychoacoustics. But it also includes the practical details of how to actually synthesize sound on a digital computer.
Credits: 3
|
| |
-
MUSI 4620 - Audio Visual Environments
This is a course in audiovisual composition and time-based new media. Over the course of the semester, you will create fixed video pieces, learn interactive & real-time audiovisual techniques, and explore sculptural & networked approaches to combining sound and light.
Credits: 3
|
| |
-
MUSI 4710 - Instrumental Conducting I
Studies the theory and practice of conducting, score analysis, and rehearsal technique. Prerequisite: MUSI 3320 and instructor permission.
Credits: 3
|
| |
-
MUSI 4720 - Instrumental Conducting II
Studies the theory and practice of conducting, score analysis, and rehearsal technique. Prerequisite: MUSI 3320 and instructor permission.
Credits: 3
|
| |
-
MUSI 4750 - Choral Conducting I
Studies in the basic technique and art of conducting, with weekly experience conducting repertoire with a small choral ensemble. Prerequisite: basic ear training, sight-reading. Previous experience in a choral or instrumental ensemble is preferred. Interested students should consult with the instructor before registering. Instructor permission is required.
Credits: 3
|
| |
-
MUSI 4760 - Choral Conducting II
Studies in the basic technique and art of conducting, with weekly experience conducting repertoire with a small choral ensemble. Prerequisite: Previous experience in a choral or instrumental ensemble is preferred. Interested students should consult with the instructor before registering. Instructor permission is required.
Credits: 3
|
| |
-
MUSI 4770 - Choral Arranging
This class will explore the art of writing for chorus and small vocal ensemble, and will aim at developing practical skills in creating and transcribing arrangements. Students will study a variety of examples from the repertoire, and attention will be paid to fundamentals of writing for the voice, setting text, etc. In addition the class will serve as workshop chorus, such that student arrangements can be performed and studied in the classroom. Prerequisites: MUSI 3310 or Instructor permission. A basic knowledge of music theory, and a basic ability to sing from written sources will prove essential.
Credits: 3
|
| |
-
MUSI 4950 - Performance Concentration Seminar
Provides intensive instruction in voice or on an instrument, broadens and deepens repertory knowledge, and provides experience in public performance as well as the evaluation of performance. Students perform at least one solo recital per semester. Students write self-evaluations of their performance and receive feedback from instructor.
Prerequisite: 1 semester of MUPF and audition. Must simultaneously register for MUPF 3950, 3960, 4950 or 4960.
Credits: 1
|
| |
-
MUSI 4993 - Independent Study
Prerequisite: Instructor permission.
Credits: 1.00 to 3.00
|
Music-Ensembles |
| |
-
MUEN 2600 - Concert Band
Concert Band
Credits: 1
|
| |
-
MUEN 2650 - Mobile Interactive Computer Ensemble Level 1
Students must have taken Performance With Computers in order to enroll in MICE (Mobile Interactive Computer Ensemble). MICE teaches a blended approach to performance, composition and computer programming through the context of a computer music ensemble. Students from various backgrounds work collaboratively in a technological ensemble context while building skills in interactive media programming, sound art design and human-computer interaction.
Credits: 1
|
| |
-
MUEN 2690 - African Music and Dance Ensemble Level 1
A practical, hands-on course focusing on several music/dance forms from West Africa (Ghana, Togo) and Central Africa (BaAka), with the intention of performing during and at the end of the semester. Traditions include drumming, dancing, and singing. Prerequisites: By audition. Concentration, practice, and faithful attendance are required. May be repeated for credit.
Credits: 2
|
| |
-
MUEN 3570 - Indian Singing Ensemble
Students will be introduced to the concepts of RAGA (melody) and TALA (rhythm) in Indian classical music. They will learn classical compositions in different RAGAS and TALAS; mythological and philosophical meanings of the compositions will be explained. With this background, students will learn about Guru-Shishya-parampara (teacher-disciple-relationship), a concept which is unique to Indian culture. No musical background is required.
Credits: 1
|
| |
-
MUEN 3600 - Jazz Ensemble
Jazz Ensemble Prerequisite: Instructor permission by audition. Note: Because the subject matter changes each semester, courses numbered MUEN 3600-3690 may be repeated for credit, but no more than sixteen performance credits may be applied toward the baccalaureate degree in the College.
Credits: 2
|
| |
-
MUEN 3610 - Orchestra
Orchestra Prerequisite: Instructor permission by audition. Note: Because the subject matter changes each semester, courses numbered MUEN 3600-3690 may be repeated for credit, but no more than sixteen performance credits may be applied toward the baccalaureate degree in the College.
Credits: 2
|
| |
-
MUEN 3620 - Wind Ensemble
Wind Ensemble Prerequisite: Instructor permission by audition. Note: Because the subject matter changes each semester, courses numbered MUEN 3600-3690 may be repeated for credit, but no more than sixteen performance credits may be applied toward the baccalaureate degree in the College.
Credits: 2
|
| |
-
MUEN 3630 - Chamber Ensemble
Chamber Ensemble Prerequisite: Instructor permission by audition. Note: Because the subject matter changes each semester, courses numbered MUEN 3600-3690 may be repeated for credit, but no more than sixteen performance credits may be applied toward the baccalaureate degree in the College.
Credits: 1.00 to 2.00
|
| |
-
MUEN 3640 - Klezmer Ensemble
Klezmer Ensemble focuses on the music of the klezmorim, Jewish professional instrumentalists of Eastern Europe. Prerequisite: intermediate to advanced instrumental skills. Note: Because the subject matter changes each semester, courses numbered MUEN 3600-3690 may be repeated for credit, but no more than eight performance credits may be applied toward the baccalaureate degree in the college.
Credits: 2
|
| |
-
MUEN 3645 - Bluegrass Workshop
This course seeks to develop the playing, singing, and improvising skills necessary for the idomatic performance of bluegrass music, while also providing an opportunity for discussion of its origins and development. Appropriate for experienced players working to improve their knowledge or for players versed in other genres to learn new styles.
Credits: 1
|
| |
-
MUEN 3646 - Bluegrass Band
This course seeks to develop the advanced playing, singing, improvising, and collaborating skills necessary to perform in a traditional bluegrass band, along with knowledge of bluegrass history and repertoire. Prerequisite: MUEN 3645
Credits: 1
|
| |
-
MUEN 3650 - University Singers
University Singers Prerequisite: Instructor permission by audition. Note: Because the subject matter changes each semester, courses numbered MUEN 3600-3690 may be repeated for credit, but no more than sixteen performance credits may be applied toward the baccalaureate degree in the College.
Credits: 2
|
| |
-
MUEN 3651 - Chamber Singers
Chamber Singers Prerequisite: Instructor permission by audition. Note: Because the subject matter changes each semester, courses numbered MUEN 3600-3690 may be repeated for credit, but no more than sixteen performance credits may be applied toward the baccalaureate degree in the College.
Credits: 2
|
| |
-
MUEN 3655 - Opera Workshop
Prerequisite: Instructor permission by audition. Note: Because the subject matter changes each semester, courses numbered MUEN 3600-3690 may be repeated for credit, but no more than sixteen performance credits may be applied toward the baccalaureate degree.
Credits: 1
|
| |
-
MUEN 3657 - Voice for the Stage
A vocal performance class in which students alternately direct and perform in selected scenes. This course allows students to deepen their performing skills through alternating the roles of performer and director. Students will study assigned texts, scores and source materials from musical theater, opera and song and will then develop directorial and presentational/design concepts for productions, directing each other in short scenes. Prerequisite: Intermediate to advanced level/experience with solo singing and acting. Permission of instructor.
Credits: 2
|
| |
-
MUEN 3660 - Ensemble Music with Piano
Studies in the preparation and performance of ensemble music with piano. Focus is on the development of collaborative skills and a practical understanding of cultural and theoretical context. Repertoire to be studied varies from semester to semester.
Credits: 2
|
| |
-
MUEN 3670 - Early Music Ensemble
Performance of music written before 1750 on instruments appropriate to the period.Prerequisite: Instructor permission by audition. Note: Because the subject matter changes each semester, courses numbered MUEN 3600-3690 may be repeated for credit, but no more than sixteen performance credits may be applied toward the baccalaureate degree.
Credits: 2
|
| |
-
MUEN 3680 - New Music Ensemble
Performance of vocal and instrumental music of the 20th- and 21st-century. Prerequisite: Instructor permission by audition. Note: Because the subject matter changes each semester, courses numbered MUEN 3600-3690 may be repeated for credit, but no more than sixteen performance credits may be applied toward the baccalaureate degree.
Credits: 2
|
| |
-
MUEN 3690 - African Music and Dance Ensemble Level 2
Practical, hands-on course focusing on several music/dance forms from West Africa (Ghana, Togo) and Central Africa (BaAka pygmies). No previous experience with music or dance is necessary. Students seeking the co-requisite for MUSI 3090 should sign up for MUSI 3690. Prerequisite: Instructor permission by audition. May be repeated for credit.
Credits: 2
|
| |
-
MUEN 4690 - African Music and Dance Ensemble Level 3
Third level of proficiency in several music/dance forms from West Africa (Ghana, Togo) and Central Africa (BaAka pygmies). Performances during and at the end of the semester. Students develop a leadership role and proficiency in drumming, dancing, singing. and in ensemble dynamics. Students seeking the co-requisite for MUSI 3090 should sign up for MUSI 3690. Prerequisite: Instructor permission by audition. May be repeated for credit.
Credits: 2
|
Music-Marching Band |
| |
-
MUBD 2601 - Basketball Band
The Basketball Band performs at every home men’s and women’s basketball game at the John Paul Jones Arena and all post season tournament games. Much of the music must be performed memorized. New music is introduced on a weekly basis. Students enrolling in Basketball Band must be a member of the current year’s marching band course (MUBD 2610, 2620, 2630, or 2640).
Credits: 1
|
| |
-
MUBD 2610 - Marching Band I
An ensemble that performs at all home football games and selected away games each season, also traveling to Bowl games and performing at special events. This course counts as performance, and thus subject to the limit of eight credits of the 120 required for the B.A.
Prerequisite: Students are selected by audition.
Credits: 2
|
| |
-
MUBD 2620 - Marching Band II
An ensemble that performs at all home football games and selected away games each season, also traveling to Bowl games and performing at special events. Students assist in mentoring new band members enrolled in MUBD 2610.
Prerequisite: MUBD 2610.
Credits: 2
|
| |
-
MUBD 2630 - Marching Band III
An ensemble that performs at all home football games and selected away games each season, also traveling to Bowl games and performing at special events. Students run sectional rehearsals and tutor students enrolled in MUBD 2610 and 2620.
Prerequisite: MUBD 2620.
Credits: 2
|
| |
-
MUBD 2640 - Marching Band IV
An ensemble that performs at all home football games and selected away games each season, also traveling to Bowl games and performing at special events. Students assume leadership roles in the Marching Band, and contribute to the design and teaching of shows.
Prerequisite: MUBD 2630.
Credits: 2
|
Music-Private Performance Instruction |
| |
-
MUPF 1150 - Brass Technique for Woodwind Players
This course is designed to be an introduction to the performing techniques and instructional materials of brass instruments. Furthermore, the students enrolled in the course will learn how to perform one brass instrument at a high level with the goal of being able to contribute as a brass player in the UVa Marching Band in the future.
Credits: 1
|
| |
-
MUPF 2110 - Performance (Voice)
Individual instruction in musical performance. Details available here: http://artsandsciences.virginia.edu/music/performance/privatelessons/index.html. May be repeated as often as desired, but no more than 16 performance credits may be applied toward the baccalaureate degree in the College, with an additional 4 available for Distinguished Majors. There is an additional fee for private lessons. Please contact the McIntire Department of Music for information.
Credits: 0.5
|
| |
-
MUPF 2111 - Performance (Voice)
Individual instruction in musical performance. Because the subject matter changes each semester, courses numbered MUPF 2110 -2181 may be repeated as often as desired, but no more than eight performance credits may be applied toward the baccalaureate degree in the College. (S) There is an additional fee for private lessons. Please contact the McIntire Department of Music for information.
Credits: 1
|
| |
-
MUPF 2120 - Performance (Piano)
Individual instruction in musical performance. Details available here: http://artsandsciences.virginia.edu/music/performance/privatelessons/index.html. May be repeated as often as desired, but no more than 16 performance credits may be applied toward the baccalaureate degree in the College, with an additional 4 available for Distinguished Majors. There is an additional fee for private lessons. Please contact the McIntire Department of Music for information.
Credits: 0.50 to 1.00
|
| |
-
MUPF 2121 - Performance (Piano)
Individual instruction in musical performance. Because the subject matter changes each semester, courses numbered MUPF 2110 -2181 may be repeated as often as desired, but no more than eight performance credits may be applied toward the baccalaureate degree in the College. (S) There is an additional fee for private lessons. Please contact the McIntire Department of Music for information.
Credits: 1
|
| |
-
MUPF 2130 - Performance (Organ, Harpsichord)
Individual instruction in musical performance. Details available here: http://artsandsciences.virginia.edu/music/performance/privatelessons/index.html. May be repeated as often as desired, but no more than 16 performance credits may be applied toward the baccalaureate degree in the College, with an additional 4 available for Distinguished Majors. There is an additional fee for private lessons. Please contact the McIntire Department of Music for information.
Credits: 0.5
|
| |
-
MUPF 2131 - Performance (Organ, Harpsichord)
Individual instruction in musical performance. Because the subject matter changes each semester, courses numbered MUPF 2110 -2181 may be repeated as often as desired, but no more than eight performance credits may be applied toward the baccalaureate degree in the College. (S) There is an additional fee for private lessons. Please contact the McIntire Department of Music for information.
Credits: 1
|
| |
-
MUPF 2140 - Performance (Strings)
Individual instruction in musical performance. Details available here: http://artsandsciences.virginia.edu/music/performance/privatelessons/index.html. May be repeated as often as desired, but no more than 16 performance credits may be applied toward the baccalaureate degree in the College, with an additional 4 available for Distinguished Majors. There is an additional fee for private lessons. Please contact the McIntire Department of Music for information.
Credits: 0.5
|
| |
-
MUPF 2141 - Performance (Strings)
Individual instruction in musical performance. Because the subject matter changes each semester, courses numbered MUPF 2110-2181 may be repeated as often as desired, but no more than eight performance credits may be applied toward the baccalaureate degree in the College. (S) There is an additional fee for private lessons. Please contact the McIntire Department of Music for information.
Credits: 1
|
| |
-
MUPF 2150 - Performance (Woodwinds)
Individual instruction in musical performance. Details available here: http://artsandsciences.virginia.edu/music/performance/privatelessons/index.html. May be repeated as often as desired, but no more than 16 performance credits may be applied toward the baccalaureate degree in the College, with an additional 4 available for Distinguished Majors. There is an additional fee for private lessons. Please contact the McIntire Department of Music for information.
Credits: 0.5
|
| |
-
MUPF 2151 - Performance (Woodwinds)
Individual instruction in musical performance. Because the subject matter changes each semester, courses numbered MUPF 2110 -2181 may be repeated as often as desired, but no more than eight performance credits may be applied toward the baccalaureate degree in the College. (S) There is an additional fee for private lessons. Please contact the McIntire Department of Music for information.
Credits: 1
|
| |
-
MUPF 2160 - Performance (Brass)
Individual instruction in musical performance. Details available here: http://artsandsciences.virginia.edu/music/performance/privatelessons/index.html. May be repeated as often as desired, but no more than 16 performance credits may be applied toward the baccalaureate degree in the College, with an additional 4 available for Distinguished Majors. There is an additional fee for private lessons. Please contact the McIntire Department of Music for information.
Credits: 0.5
|
| |
-
MUPF 2161 - Performance (Brass)
Individual instruction in musical performance. Because the subject matter changes each semester, courses numbered MUPF 2110 -2181 may be repeated as often as desired, but no more than eight performance credits may be applied toward the baccalaureate degree in the College. (S) There is an additional fee for private lessons. Please contact the McIntire Department of Music for information.
Credits: 1
|
| |
-
MUPF 2170 - Performance (Percussion)
Individual instruction in musical performance. Details available here: http://artsandsciences.virginia.edu/music/performance/privatelessons/index.html. May be repeated as often as desired, but no more than 16 performance credits may be applied toward the baccalaureate degree in the College, with an additional 4 available for Distinguished Majors. There is an additional fee for private lessons. Please contact the McIntire Department of Music for information.
Credits: 0.5
|
| |
-
MUPF 2171 - Performance (Percussion)
Individual instruction in musical performance. Because the subject matter changes each semester, courses numbered MUPF 2110 -2181 may be repeated as often as desired, but no more than eight performance credits may be applied toward the baccalaureate degree in the College. (S) There is an additional fee for private lessons. Please contact the McIntire Department of Music for information.
Credits: 1
|
| |
-
MUPF 2180 - Performance (Guitar)
Individual instruction in musical performance. Because the subject matter changes each semester, courses numbered MUPF 2110 -2211 may be repeated as often as desired, but no more than eight performance credits may be applied toward the baccalaureate degree in the College. (S) There is an additional fee for private lessons. Please contact the McIntire Department of Music for information.
Credits: 0.5
|
| |
Page: 1 <- Back 10 … 32
| 33
| 34
| 35
| 36
| 37
| 38
| 39
| 40
| 41
| 42
… Forward 10 -> 57 |
Print this Page